Of course the robbery goes pear-shaped, with the LAPD’s Special Investigation Section arriving on the scene and taking out most of Danny’s crew. Almost before he can comprehend what’s happening, and because this is the only way he can get the money from Danny, Will finds himself roped into helping out on a $32 million bank heist in downtown LA that will provide Will and his family with more money that they ever dreamed of, and which Danny promises will go off without a hitch. Will can’t even get Amy’s operation covered through his insurance, which forces him into a desperate measure: asking his wealthy adopted brother Danny (Jake Gyllenhaal) for the money.Įxcept Danny isn’t just wealthy he runs a criminal operation that he inherited from the brothers’ late father, a career that Will deliberately stepped away from.
Worse, they need $230,000 so that Amy can get surgery for cancer. A job is hard to find, and he and his wife Amy (Moses Ingram) have a toddler. Kong)-this is a two-hour mad dash that won’t have you regretting the decision to sit down and watch.Ībdul-Mateen plays Will Sharp, a decorated Marine who has hit on hard times since returning from active duty.
#Eye candy 6 vs eye candy 7 movie
Now, make no mistake, this is still a Michael Bay movie a lot of the action is still edited as if he threw the footage in a blender and put it on high, and the pile-up of plot turns and over-the-top acting in the third act alone threatens to send the whole thing spinning off the rails and careening down the side of a hill in flames.īut somehow-thanks to a sturdier-than-usual narrative from screenwriter Chris Fedak (adapted from the 2005 Danish film Ambulancen), and grounded, heartfelt performances from Yahya Abdul-Mateen II and especially Eiza Gonzalez ( Godzilla vs. Yes, it’s true (and we still can’t believe we wrote that headline above): Ambulance, the new action thriller from none other than director Michael Bay, might just be the divisive filmmaker’s best effort in this century.Īfter spending a decade in the cinematic hell that was his Transformers series, where he churned out one unwatchable, incoherent, headache-inducing pile of crap after another-with a couple of breaks for the modestly better Pain and Gain in 2013, the politically dumbed-down 13 Hours in 2016, and the tediously awful 6 Underground in 2019-Bay has produced his most consistently enjoyable movie since 1996’s The Rock.
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